Tiffany Sterling (Underground Logic)

A very successful entertainer on the reverbnation charts who has recorded with top name producers like Babyface and Dr. Dre. Her videos were actually shot with live crews and lighting - making them visual delights for her ever increasing youtube audience that seems to be reaching close to 200,000 visitors per video. On top of being an excellent rapper, Tiffany Sterling is an awesome R&B singer with great vocals. Her rapping is more prevalent in the videos . . .but on reverbnation she focused on the R&B aspect of her career. She'll be a "Top Artist" in the first issue of our magazine and I'll link three videos, featuring Tiffany Sterling, for you to watch - below this bio entry.

(click on a title to watch a video . . .)

Gansta On Em, No Joke, Rasta Woman

I had the pleasure of meeting Tiffany Sterling (of the band, Underground Logic) over the phone after doing a little reseach on popular acts in our social networks. I decided to listen to her demo work and realized she was a phenomenal artist. Her R&B tracks were amazing and she even had a few rock tracks to season the album. Upon learning more about Tiffany, I came to realize she had already touched the skies by recording side by side with top producers like BabyFace, Dr. Dre, Timberland - and she even performed on stage with HR and the group Bad Brains. We sat down , together, and discussed her career and latest goals. Here is what she had to say . . .. Azur Mag: What's it like working with BabyFace? Tiffany: That was so long ago . . .it was actually funny . . .because . .that was the first man . . .that . .compared me to Janis Joplin . . .(Laughs . . .) Azur Mag: (Laughs . . ) Tiffany: I took that as a compliment. . .Believe it or not . . .I did . . . Azur Mag: Janis Joplin? . . . .Yeah! . . it's kind of like a . .more of like an R&B feel to me . . .It's not really a . . .I mean . . .You're not psychedelic at all . . .I mean . . it's not psychedelic rock . . .but it might be . .I mean . . I didn't check all your tracks . . .but . . .I checked the first five or six tracks on the front of your reverb . . .and a couple videos . . .Everything was . .like. . .straight out R&B to me . . .I mean . . .a couple of songs were kind of rock . . .but . . .You know . .it was straight out R&B . . . . Tiffany: I did . . basically, almost every genre . . .except Country . . .I don't do Country . . .I'd rather listen to death metal . . . Azur Mag: Yeah . . . . Tiffany: You can't understand what I'm saying . . .? Azur Mag: No, I understand it . . .I see your point . . .How was the gig with Bad Brains? Tiffany: Oh . . .that was interesting . . .because . .you know . .HR is a nut . . .but . .ahh . .He loves me . . .He loves me very well . . .It was a pleasure playing on stage with him . . .All I did was play flute . . .Believe it . . or not . . .with Bad Brains . . . Azur Mag: Really? Tiffany: So mix that . . .Bad Brains . . he went raggae . . .He went reggae on everybody . . .so . .he invited me to a couple of shows. . . .It was in Washington . . .and . .you know . .I took a train up. . . and just got up on stage with him . . .and it was cool . . .and then I sat at the bar with him . . .and he drank orange juice . . .because . .that's what he drinks. . . Azur Mag: What year was it? Tiffany: (Laughs) . . Oh God . .that was 2010 . .maybe . . .2011 . . . Azur Mag: Oh . .that's good . . .That's recent . . .beacuse . . I thought he had quit the business . . a long time ago . .but . . . Tiffany: No Azur Mag: Ok . . .so . ..you talked about a drug problem with the band . . .Can you go over that, again? . . .and who was replaced . . . Tiffany: Actually . . it ended up . . being . .everyone replaced. The only people who were not on drugs were me . . and the drummer . . .and at the time his name was John Navarri . . .excellent drummer . . .He was one of the biggest drummers . . .independent drummers in New Jersey . . .righ now . . .but . . .he and I . . .were drug free . . .he did nothing . .maybe had a beer every now and then. . .but . .the bass player and the guitar player . .who both went to Berklee. . .excellent musicians . . top of the line . . .I felt like a princess . . .I was so lucky to have them . . .but they liked doing heroin . . .and me and the drummer did not . . .know . . because we did not . . surround ourselves . . .you know . .with. . that kind of stuff . . .You know what I'm saying . . .and . . it just got so out of control . . . we finally found out . . .the day after we opened up . . .for Coheed and Cambria in Central Park . . .and . . that was their biggest . . .crowd . .or . .my biggest crowd . .. but it was theirs . . .and they acted like it was the worst day of their life . . . and we could not understand why . . .We were like . .uh . .uh. . .why are you two so down . . .and then when we figured it out. . .we were like . . oh . .because you couldn't score anything . . .in Central Park to get high . . I could score something in Central Park . . .and get high. . . but they couldn't . . .um . . .so . .for what ever reason . . .they were comign down from their high . . .and . . .they were in a bad mood . . .and after we were indroduced . . .and we did our gig . . .we had a good time with Coheed and Cambria - then the members were there . . .everybody's mom and dad, brothers and sisters . . .were there . . .and then they disappeared . . .for a good hour . .nobody . . could find them. . .and then when they came back . .they were all happy . . .and finally after the show . . we all went out to dinner . . .and . . .we all ordered like . . .(laughs . .) . .five star dinner . . .freak'n filet mignon . . .you know . .everyone's happy . . .and finally they broke the news to us . . .like look . . .We're a bunch of dope heads . . . .and . .me and the drummer did not know what that meant. . . We were like . .what do you mean. . .dope heads? They're like . .we have been using drugs . . .for the past year . .and I said . . What kind of drugs? . . .and . .they were like . . .dope. . . heroin . . . I was like .. Oh really . . .I said . .how bad of a problem is this? . .They were like . . .it's pretty bad . . .I said . .ok. . . and then they said they were going into rehab . . which never happened . . . until . .finally when they were forced to . . .because they got that bad. . .So . . after that . . .me and the drummer . . we had a talk . .and we decided . . .it wouldn't be a good idea to be around them . . .uhh . . .things started disappearing . . .you know . .little things . . .lighters . . .cigarettes . . .um . . money . . .then . you know . .it got to the point to where . . .I had to hide my purse . . .Leave my purse in the car . .hide my keys. . Azur Mag: (Laughs . . ) Tiffany: Yeah . . (Laughs. .) . . .so . .we replaced them . . .with two other members . . .same thing . . .If it's not heroin . .it's cocaine . . it's acid . . .It could be . .whatever. . . Nobody could just smoke a bowl and call it a day . .and I was having a very hard time undestanding that . . .um . . and when you go from . . .you know . .the top musicians . . .in the state. . . . and their very hard to replace . . .Very hard to replace . . .but . .this time around . . .with . .this crew of musicians I'm working with, now . . .Nobody . . is on drugs . . because they know it's not going to be tolerated . . .and they also know . . .that I'm going to know . . .(laughs . . ) If you are on something . . . so . .you know . .it took a few years . . .but I'm happy . . .The guys that are on drugs . . .who were on drugs . . .are still on drugs . . .um . .they've been in and out of jail . . .they've had their kids taken away. . .and I want nothing to do with it . . .(laughs . .) I'm like . .that's your karma. . .um . .and that's why . . .I called my first album Karma Pill . . .because . Azur Mag: Oh yeah . . (laughs . . ) Tiffany: You start out with pills . . .then it keeps going and going and going . . . Azur Mag: Yeah I noticed that . . . Tiffany: You get it? Azur Mag: Yeah . . I noticed it was the name of the album. . . .but . .I didn't know why . . . Tiffany: Well . . .the second album is even better . . .cause the name of that one is Garbage Night . . . Azur Mag: Oh . .what's that about? Tiffany: It's about . . throwing Motha - F--kas to the curb . . . Azur Mag: Oh no. . . Tiffany: Lose my number . . .don't come back around . . .You're on drugs. . .because they tried to weave their way back in . . . Azur Mag: Right. . . Tiffany: . . .and they thought I was going to be stupid enough to take them back in . . .and I wasn't . . . Azur Mag: So . . the musicians who replaced them . .now . .are just as good . . or almost as good. . . Tiffany: Better . . .better . . .and . .I never thought that I would be able to replace . . .well . .I couldn't understand why these kids were so good . . .and they're all on heroin . . of course they're good . . .(laughs . .) . .Everything is good when you're on dope . . .apparently . . .but they also had schooling . .like I did . . .You know . .went to school . .and put their work in . . .so . .they were good on that note, too . . .you know . .but . .when you shoot yourself up with heroin . .four or five times a day . .you're ten times better . . because you don't care . . . you know . . .and . . . Azur Mag: Did you go to Berklee, too? Tiffany: No . .no . .I did Julliard . . . Azur Mag: Oh . .that's even better! Geeze (laughs . .) Tiffany: Yeah . . .I did a program in Julliard . . .yeah . .you know . . .but I went for flute . . . Azur Mag: Oh. . . you were a flute player at Julliard . .so . .Did you try to get a classical gig? Tiffany: I did get a classical gig . . .and then . . I found a vocal coach . . .I graduated from him . . .He was a teacher at NYU . . .and also at Julliard . .when he retired . . .He trained me personally . .and . . .I stayed with him for twelve years . . .and it went to straight opera .. . Azur Mag: Oh . . man . .you're an opera singer. . . Tiffany: Yeah .. . Azur Mag: Wow . . .is there a lot of money in opera? . . or in classical? Tiffany: Um . . .there's a lot of money . .as far as like. . .you get on Broadway . . .stuff like that . . .I was never interested in that . . .I just wanted to stand on stage with a band behind me. . . I'm not into the Broadway thing. . .Never was . . .just never . . .you know . . .It never did anything for me . . . Azur Mag; Right . . . Tiffany: . . but . .yes . .there is a lot of money in opera . .but . . .the competition is fierce! Azur Mag: Yeah . . .that's true . . .so . . .How did you pay for your studio? . . .You said . . .you . . .got a lot of money through . .some sort of a legal action . . . or something . . . Tiffany: Yes . . . When I was with. . .these drug addicts . . .in this band . . .we had a gig . . um . . in Red Bank . . .New Jersey. . . .close to around New Years. . . .and . .I happened to be walking across the street . . .and got run over by a car . . . Azur Mag: Eew . . . Tiffany: Right . .so. . .I sued the girl who hit me . . .cause she was seventeen . . and I took her college tuition . . .and instead of going out and spending lots of money. .. on clothes and cars. . .I put a recording studio in my house . . . Azur Mag: Oh man .. .It's kind of bad . . .but you kind of lucked out at the same time. . . Tiffany: I came out . .ok. . .I got a few surgeries . . .I was . .you know . . .hurt pretty bad. . . Azur Mag: No . .now . .that does sound bad! Tiffany: Now, I'm vitually scarless . . . you know . . .(laughs . . ) Azur Mag: Oh my God . . . . Tiffany: For over a year . . .I had a back injury . .. a hip injury . . . and a shoulder injury . . .um . . and I was in and out of surgery . . .actually . . .what . .I had sixteen surgeries? . . . .Yeah . . . .um . .to the point to where they just burned my nerves . . .so that I could perform . . .it takes years . . not over night. . . and . .I got my money. . . and . . . you know . .I invested it properly . . . Azur Mag: Ah . . it's good and bad at the same time . . .I was just wondering where all the money came from . . .What kind of equipment are you working with. . . or do you feel like talking about that? . . . Tiffany: Top of the line. . .Let's see . . I have Pro-Tools . . .Pro-Tools 10 . .Ableton Live . . .Logics . . You name it. . . Azur Mag: You got it all . . .What kind of console did you get . . Tiffany: Ahh . .what do you mean .. the Adat . . .I have the Axiom Pro . . .I have every keyboard known to man . . .I also got the . . MPC . . .I just purchased a DOS machine . . .That's the newest beat machine. . .I just got that a couple months ago. . .so . . I'm working with that. . .then . . I bought the MPC studios. . . Akai Professional. . . .I got all that . . .I just put a big screen up . . .in the digital room . .so I don't have to look for a little keyboard computer screen . . . Azur Mag: Yeah . .that's nice . . Tiffany: A little window . . you know what I'm saying . . .(Laughs . .). . .I can see it . . .and .. . you know . .hey . . .got my Rocket 8's in here . . .My neighbors hate me . . . Azur Mag: (Laughs . . .) Tiffany: (Laughs. .) . . . .I've already gotten one noise pollution ticket . . so I have to shut everything down by . .. 10 o'clock . . .If I get another noise pollution ticket . . I do thirty days . . .in jail . .for noise . . . Azur Mag: You're kidding . . . really? Tiffany: I'm not kidding . . .(laughs . . ) Azur Mag: Ok . . .Your samples . . and the beats you use seem to be from the 1970's Motown era . . .Do you have an R&B background? Tiffany: A little bit . . not . . .much . .um . . .I started with an R&B background because one of the producers . . .that ahh . .. I had been working with . . .just to get myself started . . . as a solo artist. . .likes to use . . .you know . . .samples . . .and . . I was never a sample freak . . .because of sample clearance laws . . .then . .blah, blah, blah, blah . . . and . .after the sample clearance laws . . .came and . .. you know . . .into effect . . .I decided to get my own band . . . so we wouldn't use any samples . . . Azur Mag: Right. . .(laughs . . ) Tiffany: . . and we could just.. .come up with our own stuff . . .and that is when it started turning heavy . . .and more along the rock . . .thing . . Azur Mag: Oh. . . .wow . . Tiffany: Yeah . . people were feeling the female Rage Against The Machine thing . . . Azur Mag: Is it going in a better direction . . do you think. . .? Tiffany: For me . . yes . . .but . . . the fact that I can do both . . .because I was a huge Cypress Hill fan . . .and a huge Dr. Dre fan . . .um . . that was like the point . . .in my life where I just could not believe I was sitting at the board with Dr. Dre . . .right now . . . Azur Mag: Oh yeah . . I forgot about that . . .I didn't mention Dr. Dre . . . Tiffany: Oh my goodness . . .Now . .that was a while ago . . but it was one of those moments when it was like. . .you don't ever forget . . . Azur Mag: Yeah. . . Tiffany: It was kind of like . . .giving birth . . .I haven't done that yet. . .but you know what I'm saying . . .(laughs . .) Azur Mag: (Laughs. . . .) . . . Tiffany: You don't forget that . . .You do not forget sitting in a studio with Dr. Dre . . . Azur Mag: Right . . right . . .right . . you just don't . . . Tiffany: Your friend BabyFace . . .you're not going to forget that, either . . . Azur Mag: Right . . . Tiffany: Ahh . . Timberland. . . ahh . . .you're not going to forget that, either .. . Azur Mag: Oh yeah Timberland. . .right. . . . Tiffany: You know . . .you're not going to forget that . . . but Dr. Dre . . .that was the one . . .that blew my mind. . .and the way it happened. . . was when I showed up at the studio . . .I had gotten a production deal with somebody and I needed a lawyer . . .he was like . . you ain't taking no production deal . .you think I'm interested in you with Dre . . .it's like what. . . .I thought it was a joke . . .and sure enough . . I was flown out to Los Angeles . . .and . .I'll never forget the studio . .It was called Record One . . it was right next to a McDonlads . . and I'm like . .what . . .a studio right next to a McDonalds . . .Dr. Dre . . this is definitely a joke . . .It was not a joke . . .I walked in . . and it was like this kid in the studio . . .and . .everyone who took me . . my lawyer . . my mom was with me . . .my manager was with me. . .They all went to the bathroom . . .and left me in the lobby. . . and Dr. Dre comes walking out . . he says . .here I am . .Thanks for coming out . .and I say whow! Azur Mag: (Laughs. . .) Tiffany: (Laughs) . . .You wnat to talk about sh*t in your pants. . . .I'm just like . . .what! . . .(Laughs) . . and I was like . .Hi . . .and he goes . .Hi Tiffany . . .I've heard a lot about you. . .I was like . .You have? . . .I didn't know what to say to the man. . . I was like . . .Hi. . . I'm like . .this was a real person . . .Gosh . . he's real . . . Azur Mag: I mean . . he seems like a nice guy . . . Tiffany: Oh no . . he's a very nice guy . . . Very nice guy . . .You know . .everybody thinks he's like this gangster dude . . You know . . .having a gun . . you know . . .just shoot you . . .No. . .Wonderful man . . .Wonderful man . . awesome . . .um . . At the time, he had just found Eminem . . .so . .he . . . had his White boy. . . .and now he's got his White girl. . . standing there with him . . . He was in the middle of a studio session . . .with that girl, Truth Hurts . . .She had that album out a few months ago . . .it bombed . . . What was that . . "He's so contagious . . ." . . .Whatever . .I don't . . you would know it if you heard it . . .um. . . .and she had her one little hit single.. . .and . .so I walk into the studio . . .and I put out my hand to shake her . . and she doesn't want to shake it. . .so . .She started a fight with me . . .in the middle of a set . .I'm just meeting Dr. Dre . . and she started a fight with me. . .So . . he kicked her out of the studio . . .(laughs . . ) Azur Mag: (Laughs . . ) . . . Tiffany:(Laughs . .) Yeah . . he kicked her out of the studio. . . .and . . . ahh . . .yeah! . . and then she got sued . . but whatever . . . Ohh . . .It was just an amazing day for me. . . and then he said he wanted to find me . . .and . .I got back into the car . . .he gave me his home phone number . . .and I cried like a little b*tch . . . Azur Mag: You cried? Why did you cry . . .? Tiffany: What do you mean . . why did I cry? . . .I can't believe this sh*t is happening to me . . Azur Mag: Oh . . that's cool . .that's cool. . . Tiffany: Yes . .crying of happiness. . . not . . .you know . . . Azur Mag: Yeah . . things are going up . . .So . . what happened with it? Tiffany: Um . .well . .because of Eminem. . . and his stuff came out . . .you know . .I don't know if you heard . .but . . .everybody who goes up to Aftermath . . . kind of sits there . . .You know what I'm saying . . .and . . just because you get signed . . it's not . . .1,2,3 sign . . You have to go back and forth with lawyers . . .so it's my lawyer, his lawyer . . my lawyer. . .It's a back and forth process . . . .It's not over night . . .um . . it's not in a month . . .It's not in three months . . .so . . obviously . . .you know . . .(pause . . .) . . .freaking . . .I should have got the contract . .and all these contracts are going back and forth. . .and then I get run over by a car . . . Azur Mag: Dag! . . . Tiffany: Yeah. . .so . that's why . . do you see why it's a blessing in disguise? . . . Azur Mag: (Reluctant) Yeah . . almost. . .but . . . Tiffany: You see. . but no . .it's because I have that contract . . .then you get run over by a car . . .That made my law suit even bigger . . . . Azur Mag: Yeah right . . . . Tiffany: You see what I'm saying. . . . Azur Mag: I don't want to mess with it. . . I don't understand it . . .but you're , definitely, in some realm that I've never been in. . . .You've, definitely, gone to the upper hemispheres . . . Tiffany: Oh . . I've gone there and back . . .and I'm not stopping . . .and the whole thing is . . you just don't quit . . . Azur Mag: Right . . .Well I can see your band going in a different direction . . .that's the problem I'm having with it. . . .I mean . . it's good that you met Dr. Dre . . .but . .I mean . .if you're going to find . .like and R&B, Rock . . .producer . . .you might have to visit different people . . .or a different type of producer . . Tiffany: Right now. . . I don't need a producer . .I'll produce it myself. . . Azur Mag: Right . . .right . . . .Well . .I think you're doing a great job. . .What ever you'v done so far . . in your tracks . . just sounds really good . . .it's definitely on par with the radio or what you hear on radio . . . . Tiffany: Right now . . the producers that I'm working with . . .besides myself. . on my next album . . obviously. . . .I'll be in touch with a producer . . .because I wrote everything . . .um . .but . . .his name is. . . Bo Tracks. . . and he's out of Pennsylvania. . . um . .him and I have been in contact every day. . . I mean the beats are ridiculous. . . I mean ridiculous. . .and . .finally .. I found some body. . . I might ask him to move down here . . .stay with me . . .so that . .all we have to do. . . is . . .you know . .we can make money out of this studio . . .and . .you know . . .I might sound happy. . .I'm calm . . .I'm collect . .and I'm happy . . . .because . .I know what I'm doing. . . Azur Mag: Do you consider yourself an R&B singer . . .a rock star . .or a hip hop artist . . . Tiffany: All three . . Azur Mag; All three. . ok. . .yeah . .I definitely agree with that. . . .The song "I do" . .is like a Motown song . . . .but . .um . .I was just amazed at how R&B . . and Motown your music sounded. . . I mean . . was it a Motown sample that you used . . . . . .for I do . .or. . .was that your own stuff. . . .? Tiffany: I didn't write that track . . .a producer of mine . . he's, actually,. . .a little White kid who wrote that . . .believe it or not. . .They call him . .No Joke . . That's his name . . and . .it was called "I do" . . .and it was written . . .by accident . . .I did not know that that was going to. . .come out sounding like Motown. . .or a wedding song . . .um . . basically . . .I remember you saying that you loved me. . . do you? . . .(laughs . .) . .You know . .I remember you.. .saying I do . . .Did you remember it. .cause I do .. . . (laughs . . ) . . .It's kind of like that . . .It wasn't like . . oh . .I do, I do, I do . . .I wanna marry you . . .You know . .like . .looking at it from a different perspective. . .I'm just saying . .do you remember saying . .cause I remember you saying specifically . . . do really love you . . .so . .if you love me. . . then why don't you f**k'n act like it . . .so . .it was meant to be kind of. . .funny . .and then it sort of . . came out so . . .nice . . .people were like. . . this is the one I wanna play. . .this is the one. . .play . . .I haven't done a video for that one, yet . . .um . . because . .again. . .everyone keeps saying . . .everyone. . .The videographer said. . . That's a wedding song, Tiffany . . .you know . . .(laughs . .) . .So it's hard to come up with a concept . . . Azur Mag: What about . ."Put It In My Back" . . What's that about? Tiffany: Oh . . yeah . .that's suppose to sound like . .um . .sex . .but I'm talking about . . dancing . . Azur Mag: Oh. . you're talking about dancing? Tiffany: Yeah. . . Azur Mag: Oh . .ok . .that's good . . .that's good . . . Tiffany: Put it in my back . .means . . .do me good . . .or what ever. . .Let's have sex . .no . . .Let's dance . . put it in my back. . .come on . . .(Laughs . .) Azur Mag: OK . . .What about. . ."Can I Beat Your girl Up" . . .That's the only rock song that I've heard . . actually . . . Tiffany: That was, actually, . . .well . .you see how rock that is . . and how good . .those guitar pieces are. . . ? . . .um . .That was the last . . .song I did . . .with that drug addict guitar player. . Azur Mag: Oh . . .ok. . Tiffany: Can I beat your girl up.. . is actually something that I'm going through, right now. . . .um . . being bullied . . . being bullied . . .ahh . . . Azur Mag: Like what happened in Dr. Dre's studio . . or.. . .? Tiffany: No . .no, no, no, no .. . .that's not being bullied . . . I'm talking. . .hard core bullying . . .like . .let's say you have a job . . .alright . . .say your a bartender or a waiter . . .or something like that . . and there's just somebody there who has it in for you. . . and they do a whole bunch of. . . little sh*t . . .to make you break . . . Azur Mag: Yeah. . . Tiffany: You see what I'm saying. . .and you don't break . . .hey . .you can fire me. . .but. . . I'm not going to quit . . .Stuff like that. . .so. . . I decided. .to go. . . what . . .How about I beat your girl up. . . How would she like it . . .Well . . you know what . .shut up . . just shut up . . .be quiet . . . Yeah .. I mean . .it's getting meaner and meaner, and meaner. . .to a point where I just don't care. . .It's kind of like an outlet . . .You know . .you can't act out on it. . .you can't . . .go out just say . .ah, I'll beat her up, today . . .you know . .but you can say what ever you want. . . Azur Mag: . .but you were talking about a specific person? Tiffany: Absolutely . . I was . . .but . .the way I. . .wrote it . .was so that. . . everyone could relate to it. . .Everyone has felt like that. . .before . . .every body . . .Like have you ever been so angry at somebody you just want to bust them up?. . . Bust this motha f**ka in his face? You know what I'm saying . . .but you can't do that . . .it's illegal . . . so. . .you know . . . musicians . .they have their outlets. . .Studio musicians . .and artist . . .they're going to go home and write that down . . . Azur Mag: Right . . . Tiffany: That's what I do . . . Azur Mag: What about "Pay the Price" . . . It sounded like an over dub . . .or was it some sort of a processor you used. . . for your vocals . . ? . Tiffany: No. . .that was . . .There was very, very little effect on my . . voice . . . Azur Mag: So it was just two vocals layered together. . . Tiffany: Yup. . . Azur Mag: Yeah . . I like that . . .I really did like that song . . .and the way you did your vocals. . . Tiffany: When I wrote that. . .That was actually when everything started to go down hill. . . .for these drug addicts . . .who were in my life . . .and when I wrote that song . .I didn't write that about them . . . I kinda wrote it for them . . .Like . .you're never going to pay the price for me . . .I'm never going to see my money . . .so go ahead and keep hate'n . . .and do what you gotta do . . .If you wanna . . put sh*t in your arm . . .and steal peoples money. . . and think everythings free . . .you go . .and do that . .because at the end of the day .. .I'm paying for my stuff. . .My sh*ts paid for . . . I don't have to pay studio time . . .any more . . .I own the studio. . .and you can have your own, too . . .but you're not allowed in my house, anymore. . . That's how that goes . . You can find Tiffany Sterling and Underground Logic at www.reverbnation.com/undergroundlogic their soundcloud is at www.soundcloud.com/underground-logic You should be able to track gigs and tours through their facebook and possibly on the Underground Logic reverbnation. The current album on revrbnation is Karma Pill . . .

#TiffanySterling